Tuesday, May 24, 2016

New PARMA Artist: R. Barry Ulrich

Oregon-based composer R. Barry Ulrich has signed on to record and release his piece "Russian Winter" for strings with PARMA.
small product photo
R. Barry Ulrich (R) with drummer Jack Sperling (L)
Throughout his career as a composer, Barry's music has been praised for his rich sense of lyricism and harmony.
Barry attended Los Angeles City College in 1958, where he studied under the pianist and conductor Leonard Stein. He then went on to study with Leon Dallin an Robert Tyndall at Long Beach State College, where he graduated with a B.A. in Music in 1963. After graduating, Barry spent 36 years as a teacher in the Montebello School District, where he directed bands and choirs and also taught science, swimming, computers, and journalism. In 1970, he took members of the Montebello High School band and choir on a European performance tour, directing and conducting concerts in Barcelona, Rome, and Paris.
We'll be hitting the studio in the fall to record "Russian Winter," but in the meantime, you can hear Barry's music via YouTube, including a performance of "A Short Piece" below. You can also sample his music and some of his past concerts at his website, Sterling Creek Music. Welcome, Barry!

Friday, May 20, 2016

Margaret Brandman & Tim Miller Visit PARMA HQ



Last week, we were fortunate enough to have Australian composer Margaret Brandman visit PARMA headquarters!

Margaret was in town to celebrate the release of her debut Navona Records release SENSATIONS, an excellent album that showcases several of Brandman's celebrated compositions, each one presenting a unique musical experience and sensation.

By stroke of fate, PARMA composer Timothy Lee Miller planned to visit us from New Jersey during the same week. 

Margaret and Tim first met in November 2015 in Havana Cuba during the recording of ABRAZO - the debut album to be released June 10th on Ansonica Records

We couldn't be more excited about the release of SENSATIONS, and we look forward to celebrating the release of ABRAZO in June!

Purchase your copy of SENSATIONS from Amazon or iTunes.

Please enjoy the following pictures, in which Margaret meets each department at PARMA. It's been our pleasure to see both projects from recording to release!

VP of A&R, Sam Renshaw is excited to see Margaret again!

Margaret opens SENSATIONS with Art Director, Brett Picknell and Senior A&R Rep, Alex Bourne

Margaret poses with Graphic Designer, Emily Roulo; Art Director, Brett Picknell; and Senior A&R Rep, Alex Bourne

Margaret listens to SENSATIONS and ABRAZO with Audio Director, Jeff LeRoy

Margaret speaks with Alex Bourne and Marketing Specialist, Morgan MacLeod

Margaret is all smiles as she holds her copies of SENSATIONS and ABRAZO

Tuesday, May 17, 2016

PARMA on Spotify: It Takes Two

Some of the best things in life come in pairs - shoes, Reese's Peanut Butter Cups, surf & turf, Batman & Robin, Magneto & Professor X, etc. There are too many dynamic duos to list, but of course, this playlist features our favorite kind of pair - duets!

The multitude of composers and performers who work with PARMA come from a variety of musically diverse backgrounds. While all of the pieces in this playlist are unique, they share one common bond - they take two to perform!

Last week, two of PARMA's Canadian duos released their sophomore albums on Ravello Records. Couloir released MAXWELL, MUHLY & COULOIR - the follow-up album to WINE DARK SEA; and the Harrington/ Loewen Duo released THE POSTCARD SESSIONS - the follow-up album to METROPOLIS.

Without further ado, please enjoy this playlist of songs from some of PARMA's power duos!





1) "3 Romanzen, Op. 94: Nicht Schnell"
From: Harrington/Loewen Duo - THE POSTCARD SESSIONS (Ravello Records, 2016)

2) "Sonata for Saxophone and Piano, "Adio": III. Fast, rhythmic"
From: Harrington/Loewen Duo - METROPOLIS (Ravello Records, 2014)

3) "Serere"
From: Couloir - MAXWELL, MUHLY & COULOIR (Ravello Records, 2016)

4) "3 Meditations on Light: the birds breathe the morning light"
From: Couloir - WINE DARK SEA (Ravello Records, 2013)

5) "Violin Sonata No. 9 in A Major, Op. 47 "Kreutzer": I. Adagio sostenuto - Presto"
From: Samuel Magill, cello & Beth Levin, piano - CELLO MUSIC (Navona Records, 2016)

6) "Digressions"
From: Heath Mathews - RIPPLES (Navona Records, 2016)

7) "Lichen"
From: Bill Pfaff - RIPPLES (Navona Records, 2016)

8) "Sonata for Violin and Piano, JW VII/7: I. Con moto"
From: duo526 - BALLADE (Navona Records, 2014)

9) "Copland's Coda"
From: Carl Vollrath - PAST RECOLLECTIONS (Navona Records, 2015)

10) "The Odd Pieces: I. Teddy Bear's Big Feet Dance"
From: Carl Vollrath - LINGERING LONGINGS (Navona Records, 2016)

11) "A Carmen Fantasy"
From: Kostov-Valkov Duo - TRANSCRIPTIONS & PARAPHRASES (Navona Records, 2015)

12) "Tampanera"
From: Robert & Kim McCormick - McDUO (Ravello Records, 2011)

Monday, May 16, 2016

PARMA Returns to Cuba


Photograph by Michael Labrie
A Brief History of PARMA in Cuba

May 2015
Directly following President Obama's changes to the Cuban Sanctions at the end of 2014, PARMA's CEO, Bob Lord, traveled to Havana Cuba with the idea of meeting some of Cuba's top talent and sharing some of the finest and most compelling contemporary US works with Cuban musicians.

During this first trip, Bob met with some of the an array of musicians, ensembles, producers, engineers, and guides in Havana and developed the first sketches of what would become our "PARMA People-to-People Cuban Program."

From that initial journey to Havana, Bob hand selected the groups and producers that PARMA would be working with, and we worked as a team to match contemporary US works from our composers with the various ensembles that we selected.

November 2015
Our first group trip to Cuba (I WENT TO CUBA. I MADE MUSIC. IT SOUNDS TERRIFIC) took place this past November.  The PARMA team traveled to Havana with a group of eight composers to
produce a week of recording sessions and to embark upon a cultural program, spearheaded by our guide and translator Teresa Fernandez.  The musicians and production teams were extremely prepared and collaborative, and we walked away with some truly special material.

PARMA's November Sessions

These first sessions went so well that we made Lead Producer Dayron Ortega a member of the PARMA Team and officially dubbed him our "Man in Havana."

The recordings from our first trip will be featured on the new release, ABRAZO, our premiere release on the new Ansonica Records, out June 10th.

______________________________________


PARMA Returns to Cuba

April 2016
Unlike Bob, this was my first trip to Havana. Though I prepared for months and sought advice (from our team and travel guides) as to how to prepare, nothing could have properly prepared me for the culture and beauty (and heat) of Cuba than actually experiencing it first hand.

I've spent my entire life in the North East and I am undoubtedly accustomed to towns with populations of less than 20,000 with weather that averages 20-40 degrees F (-6-4 degrees Centigrade, for our non-US readers), so going to a densely populated city on a tropical island was certainly a change of pace, but it was a good one.

Photograph by Michael Labrie
The PARMA Team, CEO Bob Lord, VP of A&R and Licensing Sam Renshaw, PARMA Partner and Artist Michael Labrie, and myself (Alex Bourne), arrived in Cuba late at night on April 16th to prepare for our "People to People" program, which started April 18th.

Because of travel restrictions, there are still no direct commercial flights from the US to Cuba, so travelers must connect to Cuba via a third country - Mexico City in our case.  Mexico City is a city unlike any other I have seen.  Flying at 10,000 ft, you can not see the end of the city in any direction, it seems to curve with the Earth.  At night the image must be unreal.

In stark contrast, flying into Havana at 9:00 PM on a Saturday, there were almost no visible lights on the ground. From above, Havana felt mysterious, eerie, and exciting, and I couldn't wait to depart the plane and step foot on Cuban soil.

Once we arrived, we were fortunate to get our baggage right away (unlike Bob's last visit), and we made it to the city before midnight.

______________________________________


People-to-People Program

Accompanying the PARMA team on this one-of-a-kind journey were five PARMA composers, Jeffrey Jacob, Heidi Jacob, Steven Block, Sergio Cervetti, and Christina Rusnak, a pianist, Charles Abramovic, and a cellist, Ovidiu Marinescu. Like all of our recordings projects, we worked with our artists to bring their music to the right players and production team to capture definitive versions of their music. 

Unlike many of our projects and as I mention above, we created a week-long musical and cultural program designed to give those visiting Havana background into Cuba's rich musical culture. These activities involved meeting renowned Cuban musicians, attending musical workshops, touring historical sites and museums, and of course experiencing Cuban culture.

Each day, Bob, Sam, and Michael would enter the studio with 1-2 of our composers and artists to record their music, while I would depart with the rest of the group for a day of activities and workshops.  I cannot lie, I was extremely fortunate to be able to experience the culture with a group of people who were so eager to learn and explore the artistic side of Cuba.

According to PARMA's guide and translator, Teresa, Havana is a city of 2.2 million people, though locals think the population has reached 3 million.

In the early 1900's, Havana had huge developmental growth. It was on the upswing from devastation from wars and was on its way to becoming a leading economic country in it's corner of the world. New homes, apartment buildings, luxury hotels, clubs, and casinos were built in the 30's to accommodate tourism to Havana.

In 1959, the new régime under Fidel Castro aimed to improve the quality of life for all Cubans. However, Castro's communist model and the resulting U.S. embargo created shortages of supplies that affected Cuba and triggered an economic downturn which came to a head in 1991 when subsidies from the then Soviet Union ended.

Since then, there has been an effort to rebuild the city - we saw this as a group in places such as Plaza Vieja and Plaza San Francisco in Old Havana. However, many buildings and structures are still in need of care and restoration.

After our late arrival on Saturday night in Havana, we met as a group for the first time the following afternoon at a wonderful ocean-side restaurant, Vista Mar, which set the mood for what was a once in a lifetime experience.

Vista Mar | Photograph by Michael Labrie

April 18, 2016
Promptly at 8:30 AM the next morning, our drivers picked up the PARMA Team and composer and pianist, Jeffrey Jacob, to bring them to the studio.  We worked on Jeffrey's "Awakening" for piano and orchestra with the National Symphony Orchestra. I wasn't present for the session, but according to Jeffrey, it was "one for the books!" 

Instead, I accompanied the rest of the group on a walking tour of Old Havana guided by Teresa.  We started at the Plaza San Francisco (right off the bay from Havana, where you will start to see Carnival Cruise ships landing) and continued through Plaza Vieja and into Plaza de Armas. Luck was on our side and we stumbled across the all women string orchestra, Camerata Romeu, rehearsing in a sanctuary in Plaza San Francisco.


We ended the day with a trip to the Havana handcraft market - a large warehouse space with handmade crafts and stalls run by artists.

April 19, 2016
The following day, Heidi Jacob and Charles Abramovic entered the studio to record a suite of Heidi's work, "untouched by morning and untouched by noon," featuring Charles on piano alongside a quartet of Cuban musicians.  From all accounts, though a challenging session, we captured fantastic material from the group.

That same day, the group and I headed to the Fresa y Chocolate Cultural Center (situated across the street from the Cuban Film Institute) to see a workshop for Tres with Efrain Amador Pinero.  The Tres is a guitar-like instrument with three sets of double strings.

The workshop was especially enlightening because Efrain is the founder of the School of Tres in Cuba.  His playing has brought him the the US to perform in the past and he shared a recording of his Tres Concerto with the group - it was a wonderful blend of Cuban and traditional orchestral music.

Tres Workshop | Efrain Amador Pinero 
April 20, 2016
On Wednesday, I was finally able to get into the studio for a session with longtime PARMA composer, Steven Block, for the recording of his quintet "Puttin' It Together."  The piece is very challenging (essentially written out free jazz), but the players absolutely nailed it in the studio.  This was one of the most exciting and amazing sessions I have ever seen.

That evening, we traveled to the Fortress of San Carlos de Cabana to witness the ceremonial (and weekly) cannon shot at 9:00 PM.  Starting in the 18th century, the cannon shot signified the closing of the city gates and let residents know the city gates would be closing. 

While we were visiting the Fortress, cellist Ovidiu Marinescu entered the studio with Irakere (Chucho Valdes) percussionist 
Enrique Plá and our very own producer, Dayron Ortega, to produce an improvised session. 



Dayron Ortega producing "Puttin' It Together" | Photograph by Michael Labrie

Aprul 21, 2016

The following day, longtime PARMA composer Sergio Cervetti entered the studio to record his clarinet quintet, "...and the huddled masses."  We had a wonderful session with Sergio and from what I heard, the players did a fantastic job preparing for the session.

During the session, I accompanied the group to the Museum of Fine Art in Havana.  The museum hosted a variety of modern and historic art from Cuban artists, including an iconic painting of a Cuban boxer defeating a US boxer.

April 22, 2016
Friday April 22nd was the last day of our program in Havana. Oregon based composer Christina Rusnak worked with the very talented Ensemble Vocal Luna to record two choral works - a wedding song and a funeral song.  Christina write a piece specifically with Vocal Luna in mind, and being a part of the process from conception to recording is a special privilege. 



Christina Rusnak with Ensemble Vocal Luna | Photograph by Michael Labrie

That morning we were able to sneak out of Havana and head into the countryside to visit the home of Ernest Hemingway.  As an avid reader of his work, this was very exciting for me. 

Hemingway House
The house itself was situated far away from any majorly populated area.  It was maintained perfectly and we were allowed to explore the property, including his pool where he hosted parties for various celebrities and guests.

We returned as a group to attend a percussion workshop with Jose Eladio Amat, one of Cuba's premiere percussionists  
Amat has participated in several music festivals alongside Sin Palabras, Irakere, Pancho Amat, and he has performed with several famous percussionists such as Luis Conte, Giovanni Hidalgo, Armando Peraza and Mamady Keita.  

Following the workshop, we traveled back to Plaza San Francisco, where we started our journey, to meet as a group for one last dinner.  We dined at \Paladar Los Mercaderes to celebrate an unforgettable week of recording and adventure.


Mercaderes | Photograph by Michael Labrie

After spending a week in Havana, it's obvious to me how deep and rich the musical culture is just 90 miles south of the US.  The players were some of the most dedicated and collaborative that we have worked with and the studio crew was extremely supportive and accommodating.  It was certainly "one for the books!"

Look out for news on each recording session in the coming months.  In the meantime, you can listen ABRAZO, our premiere release on the new Ansonica Records, out June 10th!

ABRAZO | Ansonica Records

Friday, May 13, 2016

May Releases Out Now on Navona, Ravello, and Big Round Records!


THREE PASTELS
NV6039
Carl Vollrath




On his Navona Records release THREE PASTELS FOR PIANO & ORCHESTRA, composer Carl Vollrath presents his three piano concerti, written between 2012 and 2015. Representing some of his most recent work, these concerti are connected to each other thematically, and in a way portray a different hue of the same color. Read More


INFINITE LANDSCAPES
NV6040
Elliott Miles McKinley




On his Navona release INFINITE LANDSCAPES, composer Elliott Miles McKinley presents Three Portraits and his String Quartet No. 7 – two adventurous works commissioned by renowned chamber ensembles. Read More


SENSATIONS
NV6041
Margaret Brandman




Australian composer, music educator, and pianist Margaret Brandman presents her debut Navona release SENSATIONS, featuring several of her celebrated compositions, each one presenting a unique musical experience and sensation. The Moravian Philharmonic Orchestra skilfully performs the orchestral portion, opening with the joyful Love Brings Change (Adagio for Strings). Pianist Lucie Kaucká joins the orchestra for Lyric Fantasy, an emotional and accessible two-movement work with contrasting moods for piano and strings. In the two-movement Undulations, also for strings, Brandman portrays the elegant flowing movement of the ocean waves on Australia’s eastern seaboard. In the central orchestral piece, the programmatic three-movement Firestorm Symphony for full orchestra, Brandman effectively captures the shimmering heat, dangerous wind and approaching fire along with the sounds of the native birds, during the terrifying experience of Australian Blue Mountains’ bush fires which threatened her family home, the sorrowful aftermath and eventual renewal of the bush. Read More


JOURNEYMEN'S SONGS
NV6043
Daniel Zehringer




JOURNEYMEN’S SONGS from Navona Records showcases the versatility of the trumpet on works performed by Daniel Zehringer. Accompanied by various instruments, including percussion, string bass, and cello, selected compositions by Steven Winteregg are themed around time and place. Read More


MAXWELL, MUHLY & COULOIR
RR7932
Couloir




“We’re really trying to find a whole new language,” says harpist Heidi Krutzen, “and a new way of moving our instruments forward.”

New languages and propulsive forward motion abound on MAXWELL, MUHLY, & COULOIR, the second Ravello Records release from the elegant, unusual duo COULOIR. Read More


16-2-60-N-5
RR7933
Sidney Bailin




"I write what is inside me," says Sidney Bailin. "To me, revealing the psyche’s vulnerable parts is the essence of serious art. With each piece I write, I am trying to tell my secrets."

On his first Ravello release, 16-2-60-N-5: WORKS FOR ELECTRONICS & PIANO, composer Sidney Bailin shows how musical technique exists solely to help him tell his secrets. A combination of piano and electroacoustic works, 16-2-60-N-5 transforms patterns and structures into a viscerally and emotionally gripping sound experience. Read More


THE POSTCARD SESSIONS
RR7934
Harrington/Loewen Duo




On their latest Ravello Records release THE POSTCARD SESSIONS, the Harrington/Loewen Duo offers a sampling of evocative, colorful works for saxophone that have become perennial favorites of both performers and audiences. The album is emblematic of the saxophone’s European ancestry, as well as the saxophonists’ commonplace imperative to arrange works for their instrument. Read More


MOODS AND SKETCHES
BR8945
Sebastiano Meloni




On his second Big Round Records release MOODS AND SKETCHES, composer Sebastiano Meloni presents 12 improvisations for piano. Meloni’s primary interest is in making improvisation, both as a composer and as a performer. Performed on a Fazioli grand piano F278, each piece explores the different facets of improvisational language, each having a specific methodical theme. Read More

Tuesday, May 10, 2016

A Look Behind the Curtain: Harrington/Loewen Duo's THE POSTCARD SESSIONS

Recording THE POSTCARD SESSIONS at the Shalin Liu Performance Center (September 2015)

On Friday, Winnipeg's Harrington/Loewen Duo (Allen Harrington, saxophone; Laura Loewen, piano) will release their second album, THE POSTCARD SESSIONS, on Ravello Records.

In advance of the release, we caught up with Laura and Allen to chat about the album, from its inception to what's next after its release.


Laura Loewen

How did the two of you first start playing together?

We both started working at the University of Manitoba at the same time (September 2002) and met at a faculty retreat.  

Laura: "Hi, I'm Laura, and I love playing with saxophonists!"  
Allen: "Are you making fun of me?"  
Laura: "No, I'm serious!"  

Considering the rarity of finding pianists who are willing to tackle the difficult saxophone repertoire, we had no choice but to form a duo immediately!

Your first album (2014's METROPOLIS) mainly featured contemporary music by living composers. What led to you selecting a more repertoire-based program this time around?

We've always played a wide variety of music and we like the challenge of playing music from different eras.  We thought it would be good to highlight that diversity in our first two CDs. 

How did you decide which pieces to record for THE POSTCARD SESSIONS?

We were interested in doing this CD with a "miniatures" theme, and based our selection of repertoire around that.  We also wanted to include repertoire that we've enjoyed performing over the years.  What we chose ended up in itself being quite a diverse program.

Which is your favorite piece on the album?

That's a tough question.... we like each one for different reasons.  They are all favourites, that's why they're on the album!

Allen Harrington
What was your preparation/rehearsal process like leading up to the recording sessions?

Whenever we were both in town at the same time in July and August, we rehearsed two hours a day.  We each did daily practice on our own.  We also did four recitals in August and September leading up to our mid-September recording dates making sure to include all of the repertoire at least once in those recitals.

Recording over an hour of music in three days is no easy feat. What did you find to be the biggest challenge during the sessions, and how did you overcome it?

The concentration, physical endurance, and level of creativity required was difficult to maintain in those 18 hours of recording.  What helped us manage this was our level of preparation coming in to it; our trust in the producer, recording engineer, and session manager; the amazing surroundings of Gloucester (where we were staying); and our friendship and experience playing together.

What was your biggest take-away from your experience at the Shalin Liu Performance Center?

Wow!  What an amazing acoustic and visual space!  When ever we needed inspiration, we just looked out the window at the back of the stage.

What do you want your listeners to take away from this album?

We'd like them to hear music that they may not have heard before, how awesome and versatile the saxophone is, and what an exciting duo the saxophone and piano can be.

Other than the new release, what are your plans for the rest of the year?

Laura's working at an opera training program and a song institute.  Allen's playing bassoon in some orchestra concerts, and doing some recitals with an organist.  We are planning a few concerts to support the release of the CD.  

We are also taking some time off in the summer - Laura's running a marathon, Allen's spending vacation time with his family.

What music are you both listening to right now?

Allen:  I'm mainly listening to upcoming orchestral music I'm performing, and whatever my kids want to listen to in the car.

Laura:  Mostly whatever I'm performing next, plus a wide range of genres at home.



THE POSTCARD SESSIONS will be available on CD, for download, and streaming online on May 13th. In the meantime, you can check out some clips from the album via the SoundCloud player below.

New PARMA Artist: Ross Crean

Chicago-based composer/songwriter Ross Crean has signed on to record and release his opera “The Great God Pan” with PARMA.

Ross Crean

“The Great God Pan” is based on the Arthur Machen novella of the same name. Ross wrote the libretto and the music, which features a piano, prepared piano, and a cast of ten singers. 

From the composer:

“The Great God Pan” is a story that leads us between two worlds, the material and the supernatural. It is a story where the horror lies not in the open for us to see, but in what our minds create from the unseen. 

"The female characters have no voice in Machen’s book, so I worked at giving them a voice (particularly the character of Helen), and in doing so, brought a new perspective to the story; is Helen the Antichrist figure our protagonists make her out to be, or is she truly the savior of mankind, bringing a new age of sexual freedom to our world? 

"My goal in this project is to ask these questions about how far we think we have come in terms of gender equality and religious dogma since those Victorian days."

Text from the libretto and performance excerpts of "The Great God Pan" can be found on Ross's website.

We'll be hitting the studio with Ross this fall, but in the meantime, here's a behind-the-scenes video with some rehearsal footage and interviews with Ross and some of the performers.

Welcome aboard, Ross!



New PARMA Artist: Deb Scott

Please join us in welcoming trombonist Deb Scott to the PARMA family! We are very excited to announce that we will be working with Scott on her first solo recording this year.

Active as both a performer and clinician in both classical and jazz, Scott is a Rath Trombones artist who performs frequent solo recitals and with bands and orchestras. She has also been featured on the Canadian radio broadcast, Women in Brass. She has performed with numerous orchestras including the Twentieth Century Unlimited Orchestra in Santa Fe, the New Mexico Music Festival Orchestra in Taos, the Shreveport Symphony (Louisiana), the Lubbock Symphony (Texas), the Greeley Philharmonic (Colorado), and the Longview Symphony (Texas).  Above her performance history, Scott was the first woman to complete her doctorate in trombone performance from the University of North Texas.

Scott is now the professor of trombone at Stephen F. Austin State University in Nacogdoches, Texas. She and the SFASU trombone choir have been featured at the International Trombone Association Convention.

Known for her highly technical performance skills, Scott's release will feature a new adventurous piece composed for her by PARMA composer Stephen Lias, entitled River Runner. Lias, an adventurer-composer for the U.S. National Park service, wrote the piece after a kayaking trip they shared in Big Bend National Park. Pianist, Ron Petti, will accompany her. Other well-known favorites to be included are Derek Bourgeouis’ Trombone Concerto, William Goldstein’s Colloquy, and Herbert L. Clark’s Carnival of Venice.  You can hear more of Scott's playing below - keep an eye out for updates on her release!


Monday, May 9, 2016

New PARMA Artist: Scott Perkins

Scott Perkins
Please join us in welcoming Connecticut composer Scott Perkins to the PARMA family! We will be working with Scott on his debut release, The Stolen Child: Choral Music by Scott Perkins, later this year.

As a composer, Scott's work includes art songs, opera, musical theatre, choral and chamber music, electroacoustic works, and music for film and church. He has been commissioned by organizations ranging from the Washington National Opera to the American Guild of Organists, and his work has been performed throughout North America and Europe. His music has been called "dramatic and colorful" (Washington Post), and ”perfectly orchestrated and haunting“ (Washington Times). 

As a performer, Scott has concertized as a tenor throughout the United States, England, Mexico, Scotland, and Norway. He has performed with professional ensembles as both a vocalist and a conductor.

Scott will be working with Michigan based choral group Audivi to record three large choral works for The Stolen Child: Choral Music by Scott Perkins. The program will include A Word Out of the Sea, which won a BMI Student Composer Award, alongside the album's title track, The Stolen Child, and a new work, The World of Dream. 

Scott is currently running a GoFundMe campaign to help offset some of the financial burden of this project.  You can contribute and learn more about Scott, Audivi, and The Stolen Child at the following link and within the video below: www.gofundme.com/2xz2zmt5 



Friday, May 6, 2016

Charles Alan Beeler - You Will Be Missed


"It is with great sadness that we note the passing of our dear friend and talented composer, Charles Alan Beeler.

For more than a decade we worked together on projects to record, release, and preserve Alan’s work, and his positive, joyful outlook on life and music was both inspiring and insightful to all.

As likely to discuss his love for Sousa as he was to explain how Webern structured a particular tone row, Alan lived a life dedicated to making music, always helping others to learn how to appreciate it just as much as he did. 

We will miss him greatly!

- The Team at PARMA Recordings"

Please enjoy listening to Beeler's Symphony No. 3 “Shaker Hymns,” which will be included on his upcoming July 2016 release THE VOCAL MUSIC OF ALAN BEELER.